Cass: Interviewing Gavin Brocker who
plays Prentice in the film ‘Cass’. Right Gavin Q1, let’s have a bit of
background about you mate, where was you born and where do you live and you know
how did you first become an actor, and why?
Gavin: Right. Well I’ve always grown up in South-East London, in Plumstead, and
basically lived there all my life. Working class background. I have been lucky
enough to have a real good supportive family for everything that I have done.
I’ve been lucky in that sort of way. Acting, I was never really like a child
actor. It weren’t really something that I really considered it like a
profession. It probably wasn’t until I was at the age of like 13-16 in secondary
school where drama was the only class that I really enjoyed, drama and English.
Everything else, it just didn’t appeal to me, it didn’t excite me, I was rubbish
in the classes you know. I was never good at exams. But my dad, as supportive as
my dad is, my dad said when I was leaving school, you should get into computers,
computers are the thing of the future, that’s where the money’s going to be, get
into computers. So I went to North-West Kent College to have an interview for a
computer course and one of the women that were there looking through my NRA, my
National Record of Achievement, and all of it was more or less full of lots of
stuff to do with acting. And she said, there’s a place called the Miskin Theatre
which though independently run is a part of the college as it can get you
funding and a national diploma too. You should go there and you should have an
audition. So I kind of thought about it. Went home, spoke to my mum, spoke to my
nan, and they were like well go for it. And I started to feel a little bit
excited about it. So I phoned up the theatre and they said, well look we’ve got
one more audition date left, it’s in two days time. You need to prepare a
monologue and come along. So I prepared a monologue from Jim Cartwright’s
'Road'. Skin-lad was the character. I went along and just gave it everything
that I could and I absolutely loved it and a guy called Dominic Power who turned
out to be a director of this college as well as a experienced actor said you’ve
got to forget about the computers and you’ve got to come and do this, because it
sort of comes natural with you, he was very clear, he was saying you know you
should do this. I went home, I was like I really want to do this. And then from
there at the age of 16 a whole new world opened up to me. You know looking at
actors like De Niro, Gary Oldman, Sean Penn. Looking at the method, looking at
Strasburg, Stanislavski, and just watching films, getting impassioned and going,
my God, this is something that I absolutely love. And I love it, I love acting,
I love the profession. And from there it was drama school. And now I’m just in
‘Cass’, which is great, so yeah. So that was how it started really.
Cass: So at 25 years of age a whole future in front of
you, Gav. Where are we going to go now? Q2, What’s your CV to date then, what
have you done film-wise and how did you come about securing a lead role in
‘Cass’? Have you got an agent? Did you know all about it?
Gavin: Yeah, well when my time was up at the Miskin I got into drama school. I
went to Arts Ed and through my second year I won a Lawrence Olivier bursary
award. It’s for people that have got a bit of talent and also struggling with a
little bit of money. And I went up and I won the award and that enabled me to
live in Chiswick for one year whilst I finished my third year at drama school.
Anyway, to cut a long story short, a woman called Kim Poster. She’d seen my
audition for this award and she phoned up Conway Van Gelder who are an acting
agency, and they sort of followed me for the rest of my second year, and all
through my third year and when I did my showcase offered me a place with them,
which I was excited about, they’re a very good agency. Really I’ve been very,
very lucky on that front.
In terms of my 'Cass', ‘CASS’ has been my first, well I tell you, it was
my first sort of main role in a feature film. I did a film called ‘Incendiary’
with Ewan McGregor and that was a tiny part. I did a lot of TV things like
‘Torchwood’ and ‘Foyle’s War’, kind of BBC and ITV drama, and they were my two
sort of biggest acting jobs I think to date in terms of credibility. ‘Foyle’s
War’, I had you know a really sort of smashing part, great character, which I
loved doing. ‘Torchwood’ was really good fun, it is a spin off from ‘Dr. Who’. I
done a bit in ‘The Bill’, ‘Holby City’. I also did a play for six months, a play
called ‘Beautiful Thing’ which was great. That was again my first probably kind
of major job out of drama school. But I think like any of us we want more, you
know you get a taste of it and you love it and when it’s good, it’s great. But
when it’s bad, it’s bad. Because sometimes you know you’re waiting for ages or
you’re waiting for the phone to ring. I am a person who enjoys acting both on
stage or film – I love both for very different reasons. In the theatre you have
to reach the person sitting up out in the back row. You know, if you’re on at
The National Theatre you can afford to be a bit bigger, where in terms of your
acting you know you can just open up a little bit more. You haven’t got to
worry. Whereas I find in film you can’t lie, the camera don’t let you lie, you
have to be honest when you’re on that big screen you can’t fool the audience. If
you don’t believe, if you’re not there, then the audience ain’t going to believe
it. Whereas theatre you might be able to get away with that little bit. But I
love both, and it’s great to have the opportunity to do both.
In terms of my credits, ‘CASS’ will be my first movie film and how that happened was last year
in 2007 my agent got a call and I went up and I met Director Jon Baird. As an
actor you get sent scripts through all the time and you can spot when you get a
script that you really get excited about and ‘CASS’ was something to get excited
about. And when I met Jon we just really got on and I felt that there’s a
connection there and I think I was in there about 45 minutes. It’s the longest
I’ve ever been in for a casting.
Jon's biggest note from day one, and that’s that audition date, was energy,
energy, energy, we’ve got to find this energy and I didn’t think I nailed it on
the first audition. I was worried, didn’t think much more of it. Gets another
call and Jon wants me in again, wants to recall me, goes up again and I’m in
there for another half an hour but I really did sense that Jon believed in me.
Then I think a couple of weeks after the second audition, Jon phoned me up
personally, not my agent, and said, you’ve got the job mate. And I tell you what
it’s one of the happiest moments in my life, to hear that and to get the
director to phone you and to go, you’ve got the job mate, oh, just what a buzz,
what an absolute buzz.
Cass: L Q3, What’s it like actually going for
auditions? Yoyou know, how many auditions does an actor go through and what
advice do you give about going for auditions to any other young actor? Is there
any tips? Does anyone help you out at all, other actors, saying don’t worry
about it. Giving you little advices, little techniques or is it just something
you train for and you’ve geared yourself up for, all part and parcel of the job.
Is there anything you want to say that way about the auditioning?
Gavin: I think it depends on who you are as a person. I’ve been lucky enough
again working on this film with people like Nonzo and Leo and Tamer who are all
actors that have got a lot more experience than me. And I’ve also got friends
around me that are actors. I personally think I beat myself up a little bit you
know. I just think, oh God what am I doing, and why am I doing this, you know it
ain’t working out for me or whatever and you constantly fret – because it’s a
form of rejection. You turn up there and you open yourself up for being very
vulnerable and it is a hard process. But lucky enough I’ve got actors around me
that do say, look you’ve got to crack on, you know what I mean. You might go up
for 100 auditions and you might get one, you might get none but we’re in it for
the long run. For me, how I see auditions and I might be wrong in this, but my
own opinion is that the casting director, the director and producer have all got
tick boxes. Let’s say there’s the talent, whether you’re right for the
character, your physicality, look, politeness, have you got a name in the
industry, who have you worked with before. And if you miss out, if you just half
tick one of those boxes, if you don’t fully tick all of those boxes, I don’t
think you get the job. I think on most of them you have to tick all of those
boxes and it’s a hard thing to grasp, certainly for the actor who has got to
face up to that.
Cass: . Q4, Looking at your role and all that, your
role as Prentice was a football hooligan, or part of the football hooliganism
phenomenon, yeah. And in the real world you know people tend to think it’s a
working class social phenomenon and were the sort of people who are involved?
Now I know your character here was picked out for a reason to be part of this
film, to be part of the group. So you know looking back on your character, how
did your role reflect the real world of football hooliganism and you know has it
given you a better insight? What do you want to say on that?
Gavin: I mean I think it’s given me a huge insight, certainly doing the research
to it. I think class now in terms of 2008 is very, very different from what it
was like in the 70s and 80s. I think now the majority of people are more middle
class, you know, certainly out in the suburbs now. But back in the 70s and 80s
there was more of the working class, you know, there was a clear distinction
between upper class, middle class and working class. And I think probably me in
terms of my naivety and ignorance you kind of feel right you’re going to get all
your rough and ready types that are probably labourers, you know your
workingmen, your painters and decorators, and they’re the ones that are going to
be the football hooligans, they’re the people that you know the kind of people
that are going to turn up on the terrace and look for these fights because their
working they’re angry. But for me what was interesting about Prentice, he works
in a bank, he’s probably a fairly middle class guy that even though he’s got
this you know great job, he’s stuck in that office, he’s fucking bored. He’s got
his mates, his close mates that he looks up to and there’s this built up kind of
aggression inside him and the only way that he can express that is on Saturday
at football. That’s the way how he can express himself, and probably his true
self. And again doing the research and speaking to people, it wasn’t just your
working class people, you had your middle class guys that would be going there
and looking for a kind of you know a ruck. And I think that is an important part
for Prentice.
Cass: Q5, What did you learn if anything from playing
Prentice in the film ‘CASS’, the psychology of what was happening and when it
was happening. Yeah, what did you learn then playing the role of Prentice about
that sub-culture and would you feel that you now understand more than what you
did before when you’ve heard people talk about and mention this buzz experience
in football fan terms?
Gavin: Well, I find myself, after doing ‘CASS’, trying to work out what
hooliganism is, it was a horrific time for football violence. And I still don’t
know where I stand on that. But I find myself now after the film questioning
hooliganism because I can understand, and certainly in the time of the 70s and
80s in terms of the repression, I can understand it and being in that frame of
mind. Without sounding like a prat, I like to believe in terms of method acting,
I don’t believe that you should be hurting anyone when you’re doing the job, but
I had take myself into those big fight scenes, you know when we were fighting
Newcastle, we were fighting Stoke, and fighting the Arsenal and you know kind of
having a go with you know actors Paul Kaye and Bronson Webb, I had to go for it.
And I found after most takes I was up, I was ready to go. And that feeling, that
feeling, you know when you’ve got the cameras rolling, that feeling of, it might
be a plastic fucking pole, but it’s you hitting someone, getting that revenge
back, feeling a part of the group with your mates going into battle. There was a
feeling that I couldn’t have acted, I couldn’t have tried to imagine what that
was like, it actually happened, for good or for bad I had that feeling inside
me. And it is that buzz and for that I think that I’ve learned for myself, just
in terms of the culture, how the day would go. That buzz is something that will
never go away from me for the rest of my life, never.
I mean again I’m not going to come on here and promote football hooliganism, but
when people have talked about the buzz before I would have gone, you’re just mad
mate, what do you mean? You can’t go and just beat people up, you can’t . I was
lucky enough to be in a situation where we are filming, yeah, and that’s a sense
of this isn’t real, you know we get to all sort of shake each other’s hand, but
the buzz that come from it was, you can’t buy that, and for me that’s what made
it real. Afterwards, after that Newcastle scene when we just put it on the wide
camera and we just kind of went for it, the emotions. It was like the tears, but
it was tears of excitement and just, I mean being with your pals, being like
that unity, and understanding the feeling of this is for me, it’s sort of a
lower version of like a war. As ridiculous as that might sound, but you are
going to war. That sort of being a part of the team, you know being a part of
the ICF, you know and just thinking what that feels like. You know, win, lose or
draw, but you’re still standing there with your men, you’re still standing at
the front line. Now, I absolutely understand that
Cass: Just to wrap on that, I think, because I want to
move away from the film here, but just to wrap on that. Looking back, Q6, is
what would you say are your best memories making ‘CASS’ and looking back what
was most important?
Gavin: My best memories: one, I was lucky to be working with a group of people
that were all putting 100% in to making that film. And I ain’t doing that to big
up the film or to big anybody up, I absolutely genuinely mean it. Lovely people,
nice people, but were also committed to making the best that we possibly could
do. The research that went into it, the meeting up beforehand, you know that
rarely happens, and everyone was on board. Walking around West Ham and going to
the pubs and going to the Cockney Rejects gig. I mean that was an experience in
itself you know. Those experiences you can’t buy. And because of that care,
because of that we want to get this right, because we’re going to take the
actors through this as best as we can, that for me was probably one of my
favourite moments in terms of the work that was going on behind making it. And
doing it with really great people that I enjoyed the company and that I could
sit in a pub and not talk about the film ‘CASS’, not talking about football,
talk about anything, which also is a luxury. For me, the importance of the film,
well the most important thing for me is the story. And my favourite scenes are
probably the scenes that I’m not in, in terms of the real intimate scenes with
Elaine and the mum and dad. They are just amazing and that for me makes this a
complete different film and that’s important to me.
Cass: Q7, All right, what is the most frightening
situation you have been in? Describe in detail what happened.
Gavin: Well I think probably the most frightening experience for me was when I
was in primary school when I was nine or ten. Then I played chess, there was
like a chess club after school. My mum would come and pick me up on every
Friday. And then when I was coming out the school, a group of kids come running
up the road and said your mum’s just been run over. So I come down the hill and
I see my mum in the road and there was no like blood, there wasn’t like sort of
gore, it wasn’t anything like that. I mean she had a cut on her face and like
you know her leg or whatever, but there was not blood. But seeing my mum, and
I’ve still got the clear image - and that, being a nine/ten year old, was a
scary, scary time you know because someone that you care so much about ... Then
when the ambulance come and they were asking her questions like, can you just
tell me what your name is and your date of birth, and she couldn’t answer it,
she couldn’t answer it. And that was the real scary bit, because I was like,
what the hell’s going on here, this ain’t right. You know that was a very
petrifying time. And lucky enough touch wood, she ain’t been affected, she’s
good as gold now, she’s got everything but I think that initial fear is where
you don’t know what’s happening. Something literally has just gone bang and it’s
a change and you don’t know where it’s going go. Your mum’s in hospital, she’s
lost her memory, you know what I mean, she can’t answer even her own name, she
can’t say her date of birth. So that was probably the most scariest.
Cass: Q8, Most famous person you would like to meet and
the person who’s inspired you or has been the most influence in your acting
career?
Gavin: Probably the most famous person that I would like to meet / work with
because in terms of the influence that he’s had over me would be Robert De Niro.
The main reason being because when I was 16 I basically got introduced to De
Niro films and that had such a massive impact on me. I mean just life changing
and I’ve never met the man and think it would be a real dream to ever work with
him. So that would be who I would love to be able to meet. I’m not really
someone that gets sort of star struck, still if I met Robert De Niro and if I
got to work with him well I’d cut off my right arm to be honest.
I say in terms of the biggest inspiration in terms of watching another actor, it
would be Robert De Niro, people like Robert De Niro, Sean Penn, Daniel Day
Lewis, Dustin Hoffman. But Robert De Niro for me is the absolute peak, and
that’s my biggest inspiration. Probably personally, it’s one of my best mates, a
guy called Neil Maskell who was in the films ‘Football Factory, Atonement, Rise
of the Footsoldier’. He is my pal, he is the one that introduced me to people
like De Niro, you know taking me back to his gaff to watch the films, and just a
very, very intelligent man in terms of being inspired. I think there’s not a day
that goes by that he don’t inspire me as a mate. And again I’m lucky to have
someone like that in my life to be honest.
Cass: Q9, What about interests away from acting. Have
you got any hobbies or anything you’re in to big time?
Gavin: Apart from acting, I mean I’m a big football fan, I’m a Charlton Athletic
supporter my uncle and my cousin are big Charlton supporters and they took me I
think from the age of five or six. I remember the first game I went to see, it
was against Crystal Palace and we won 2:1. I remember just sort of walking out –
the stadium now has changed so much, but just that atmosphere it was just magic,
you can’t beat it. And whenever I walk out now from the stadium you just get
that – again it’s that other little buzz that we keep talking about the buzz
being a sort of magic word, but it’s a different, different buzz.
My happiest football memories – Charlton-Sunderland in the play-off final in the
nineties. It was 4:4. It was like 1:0 Sunderland, one all, 2:1 Sunderland, two
all. Went into extra time. 3:2, three all, 4:3, four all. Penalty goes 6:6.
Sasha makes a penalty save. We’re up in the Premier League. First time in my
life Charlton, we’re going to be playing top flight football. Absolutely the
best game that I’ve ever seen, at Wembley Stadium. I was cuddling people that
were round me, that I didn’t know. Fantastic. Another great experience. This
one’s for you Cass and I’m adding the 4:0 win at the valley last season against
the Hammers.
Cass: Oh, Jesus. That 4:0 I was there. You lot weren’t
even singing when you’re 4:0 up and we were singing like Scunthorpe, Scunthorpe,
here we come. Typical East End humour, yeah. Those that were still there for the
second half, yeah singing Scunthorpe here we come.
Cass: Q10, What’s your new projects? What’s new, what
do you have in the future and what are your hopes and ambitions as an actor?
Gavin: At the moment I’ve just filmed Holby City. I’m waiting to hear on a
couple of other jobs. In terms of my goals, my biggest goal is that I can just
carry on earning a living as an actor. And if I can do that and I’m lucky enough
to keep doing the work that I’ve been able to do, then that would be great. I’d
love to do something else with the crew and everybody involved with ‘CASS’. I
think depending on how the film’s going to go you know I’d like to think that
there’s something else after this with all of us because I’d like to think that
we’ve created something special. And that shouldn’t just break. And the biggest
thing I think is doing something that teaches people about a subject they are
unfamiliar with. There’s going to be a lot of people that watch this film that
are going to come into it and have their own minds made up already of what it’s
going to be like. And I think as an artist or a writer or a producer, it’s to
kind of hold up a mirror to society and go, you know what, this might not have
happened in your life, you might not have an opinion about it, but this actually
did happen. And I’m talking about in any sort film and all my favourite films
are about things that matter, if I’m lucky enough to do jobs that are just
educating and inspire people and making people think, showing them an experience
that they might not necessarily be familiar with, it would fulfil my desires
really as an actor.
Cass: Q11, You’re a proper London boy, yeah. So what’s
your favourite part of London, and why? It could be a restaurant, could be a
building, or it could be some sort of event that goes on or whatever, what’s your favourite part of London?
Gavin: When I come in and I come into town for castings and I walk through
Trafalgar Square, I walk down at the Embankment and I’m by Big Ben and I go, you
know what, fuck me I take this for granted. I mean it’s, it’s a proud feeling
and a feeling that we take for granted I think, certainly I think I take it for
granted you know. I walked into the National Gallery the other day, the art
gallery, and I’m going works of art in my home town that you just don’t realise
is there.
Take Trafalgar Square and you know now we’ve kind of got things like the London
Eye. But I mean like Big Ben, Nelson’s Column all in London. Even coming up
today, coming up for a casting or whatever and I walk through this City, I
wouldn’t move away from this. You know and I hope we stay like this – I hope we
don’t knock down our old sort of Victorian buildings. I hope we keep stuff. I
hope we don’t make it into this new futuristic world. I hope we keep to our
roots.
Cass: You just passed by and I sort of slung these
questions at you, but that’s how I like to do the interviews so is there
anything I should have asked you and didn’t?
Gavin: No. I’m interested in asking you a question I think, and I would ask you.
Do you think if you would have grown up in somewhere like Manchester or up
north, you didn’t grow up in London, do you reckon you would have had the same
route? It’s an ambivalent question but ...
Cass: No, it’s a good question, yeah. Because I was
faced with it when I met my real brother and found out after all them years of
slagging northerners, my roots are in Doncaster. And when I went back there
after meeting my real brother who’s 6ft 5. Who would be the mirror of me but not
the same kind of background. He had a terrible reputation for fighting, yeah.
But he’s quite an intelligent guy and quite a mild, you know what I mean, yeah.
So we’re so alike. We suddenly realised when we sat down and had that first day
together, yeah, and I would have been 38 years old, 38-39, and when we looked
back on our lives, it was almost a parallel. And he got told all about my life
which you’ve discovered in the film, yeah. Aside the personal issues of being
bought up in a white community you know what I mean, there wasn’t too many black
people in Doncaster, you know Yorkshire, you know what I mean. But there was a
lot of parallels in that he had to fight for everything and because of him and
his brother’s size you know what I mean, you can become someone with a
reputation double fast, yeah. Because everyone knew who he was and everything
else. Basically his words were basically, thank fuck we never knew each other
even if we are brothers because we’d have been twice the trouble, you know what
I mean. Yeah, so you suddenly realise if I was with them, you know them three
brothers and I make the fourth one, it wouldn’t have not been unlikely, as
you’ve seen in the film you know what I mean, there would have been a history
there of battle after battle. Maybe a few less battles with four brothers. I was
quite shocked to find out my routes led to Doncaster. It was a working class
background, a small black community, yeah amongst the white community, yeah, and
you know the brothers, all over 6ft. Big and powerful and you know reputations
come fast. So yeah, there were parallels you know what I mean. And you know you
always think that your life can be so bad or this, that and the other like and
if anyone cares to listen to your life or anyone’s life, yours, you know, always
seems so dramatic. But you have to realise out there, there’s always someone
worse off. What sort of hit home for me, shocked, as much as my life story
shocked people, you know what I mean, they my brothers could have a few stories
themselves. Sometimes it’s not always better on the other side. Sometimes you’ve
got to take what you got, you know what I mean, and work the best off that kind
of thing. But yeah, it was an interesting thought. Basically I think if I was up
north where I was actually born, there’s huge similarities with my real brothers
who lived up there.
Another extra question I meant to ask you, which always baffles me,
as your a Charlton fan, and we know Charlton fans because they
shared the ground at Upton Park, yeah. Who do you see as your derby?
I mean we’ve got issues now, the today’s generation of West Ham fans
now see Tottenham as their real derby, yeah. But the 70’s and 80’s
generations I go back to, it was always Millwall and even Man United
game before Tottenham, if you can work that one out. I’m an old
seventies man and I always thought the derby with Charlton fans was
Millwall, as it was only down the road, yeah. I live in the Crystal
Palace area in South-East London and I’ve a lot of Charlton friends
as well and this Palace and Charlton rivalry, you know what I mean.
So I don’t personally as a hammer’s fan, as an outsider, I feel the
passion but I don’t understand where it comes from and I know it is
very young recent so I don’t even know where the history lies. |I
mean as a Charlton fan do you sense this rivalry. Is that the derby
for you? Would you speak for the fans, or do you see that one, and
do you know why? Is it Palace or is it Millwall, or is it because
you don’t play?
Gavin: Yeah, well I think now it is Palace. I think, the unfortunate thing for
Millwall and Millwall supporters is at the moment they’re in League 1. It's very
rare – unless we get them in a cup draw. I mean we haven’t played Millwall in
years, you know, years. I’m sure if they were to come up and we were to find
ourselves in a league game, I’m sure that the rivalry would be quite strong...
But I think now Palace though. I mean I’ve been there the other week when we
played them off the park and embarrassed them. What were they doing? But you
know you can feel it, I mean in the fans I mean there is venom there, there’s a
real big rivalry there. I would say now certainly in 2007-2008 Charlton’s derby
is Crystal Palace. I mean it’s an absolute, I mean there is that venom. And
there’s such, that great feeling to win that game you know and to sing to those
supporters. We didn’t shut up in that game, so yeah Palace I would say is the
rivalry.
Copyright
© Cass Pennant 2007 - 2008